Archive for extras

DJ Low Key – So What! First Monday Mix – June 2013…Catch So What! w/me, DJ K-Nee & Big Styles on the third Saturday of every month at Beauty Bar Denver!!!

Don’t miss So What! w/me, DJ K-Nee & Big Styles, on the 3rd Saturday of the month at Beauty Bar Denver…More info on the So What! facebook page

.:DJ Low Key – So What! First Monday Mix – June 2013 (click to stream/download):.

Tanya Morgan & 6th Sense “For Real”

Carl Carrell “Gone”

Jack Magma “Cat Got Your Tongue”

BJ The Chicago Kid “Sex x Money x Sneakers”

Rhye “Hunger”

Bag Raiders “So Demanding”

Full Crate & Mar “Settle For (Seymour Bits Remix)”

The Foreign Exchange “The Last Fall (Remix)”

Spree Wilson, The Flush & Go Dreamer “All I Need”

Ro Blvd & Cali Cush “Summer Solstice”

Miguel “Do You… (Cashmere Cat Remix)”

DJ Low Key – So What! First Monday Mix – May 2013…Catch So What! w/me, DJ K-Nee & Big Styles on the third Saturday of every month at Beauty Bar Denver!!!

Don’t miss So What! w/me, DJ K-Nee & Big Styles, on the 3rd Saturday of the month at Beauty Bar Denver…More info on the So What! facebook page

.:DJ Low Key – So What! First Monday Mix – May 2013:.

Daft Punk feat. Todd Edwards “Fragments Of Time”

Yam Who? feat. Noel McKoy “Summertime”

D’Angelo “One Mo’ Gin” (Booty Sweat Remix)

Kendrick Lamar feat. Jay-Z “Bitch Don’t Kill My Vibe (Remix)”

Mos Def & Mannie Fresh “Black Jesus”

Elijah Blake feat. Common “X.O.X.”

Bilal “West Side Girl”

J Cole feat. Miguel “Power Trip”

2 Player Co-Op (Trackademicks & 1-O.A.K.)  “How Soon Is Now”

ScHoolboy Q & TiRon “Love Me Not” (produced by Chuck Inglish, cuts by DJ Low Key)

.:ScHoolboy Q & TiRon “Love Me Not” (produced by Chuck Inglish, cuts by DJ Low Key):.

TiRon sent me a demo of this months ago and it’d been my jam for most of the year when he hit me up to add some cuts last month.  After going through a few different records, I ended up grabbing a sample saying “but oh well” from one of my all-time favorite hip hop albums.  Anyways, enjoy, and if you like what you hear, catch me opening for ScHoolboy Q on Saturday, 5/12 at the Fox Theatre and feel free to download my mixtapes with TiRon here and here if you haven’t already.

Download Tanya Morgan’s You & What Army? EP for free + liner notes from Von Pea

Drop what you’re doing and head over to TanyaMorgan.bandcamp.com to download Tanya Morgan’s new EP, You & What Army?. It’s free (with an option to cop a dope, limited edition tee), ridiculously good (I’m biased, so check for yourself) and drops just in time for you to listen and be thankful that dudes like this are making music. If that wasn’t enough goodness, your favorite DJ contributed cuts on “We Rollin” and an Aeon beats listening session at my house over the Summer led to “Rock The Bells”.  Once you download and enjoy the songs, check out these great liner notes, courtesy of Von Pea from over at VonPea.com to make it an even better listening experience:

Disclaimer: this is long.

ha.

You & What Army. The latest attempt at proving we’re supposed to be making music. Not so much to you, but to myself. I wont speak for Don, but we’ve absolutely had talks about proving ourselves right as opposed to proving anyone wrong. As I sit here watching this hip hop video show and wondering why there’s no actual hip hop in this current video that’s playing (not in a “this aint real hip hop!” way, the song is literally not a hip hop song at all. its not a rap beat, and there’s no rapping), I cant help but feel like we all look like Disco Stu from The Simpsons. Its as if we’re holding onto something that doesn’t exist…but it does.

Most of the guys we all consider great are still doing it. Most of us relatively new guys still care about being skilled and saying something…or at least evoking good emotions through music.

All we need is you. For more than one listen.

In the past, Tanya Morgan has been about the act. Every album was like a play for us. The concepts and themes and characters were all about creativity. Making actual cassettes to go with the concept of Moonlighting, city planning-accurate maps to go with Brooklynati, or how Don Cusack was supposed to come in a DVD case and PGHI in a mini 3 ring binder. All that is fun, but It all started to feel like a cute lil high school play to me. To keep that metaphor, I feel like we have to turn this play into a good ass movie in theaters everywhere. Or at least get it on IFC. This EP is meant to serve as a reintroduction. We have always aimed to bring fun and our perspective on life, as well as what we go through as artists. I personally feel like there’s a lot left to say and do that we haven’t even scratched the surface on.

Intro
If you have Brooklynati you know that it starts with “On Our Way” and formally ends with “Just Arrived”. Ilyas Jr. also asks “are we there yet?” throughout the album. I had another one of those “it would be dope if!….naaah” ideas and as usual Don says “lets try that!”. Just in case its not clear to everyone that hears it: that is in fact Ilyas, the former 3rd member of TM, leaving the group…ON the album intro.

So I get to talking with Il about this intro and how it could be done in a way that metaphorically answers all questions. He was with the idea and further went on to explain how he was going to do an intro from his perspective on his next LP…what happens/where he goes when he gets out of the car. Whats cool about that is we did the same “skit from 2 perspectives on 2 different albums” thing on the Sunlighting mixtape and Moonlighting. He’s always TM regardless. We all are. Our friends Filthy and Aeon said it was sad. Evoked emotion FTW.

Do It Tanya
For people with short attention spans that don’t really want to give us a fair listen anyway, they might just turn the album off after thislikethemarkassbustasthattheyare. I call this the Tommy Boy jam because while it reminds me of “Me Myself & I” (De La, not Beyonce), its really inspired by “Doowutchalike” and “Kiss You Back” by Digital Underground. I think the latter is amazing to this day…both songs sound more like ‘hanging out over music’ than actual songs and that’s what we were aiming for with this one. I’ll explain why it comes back on at the end of the album later.

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Sorry for the lack of updates lately…Blame Tumblr, it’s been stealing my attention…

I haven’t been updating the site like I should lately and I’m sorry…The deadly combination of a tumblr addiction, extra busy schedule and ton of events in the process of coming together, but not to a point where I wanna post about them yet has made djlowkey.com feel a little stagnant lately…

Don’t worry though, I’ve been steady posting over at djlowkey.tumblr.com and will be adding a ton of content to this site before the month is over.  So in the meantime, head over to my tumblr, (hopefully) follow my page and stay tuned for more mixtapes, dope events (we’re going HUGE for the Solution’s 5 year anniversary in February) & more good stuff here shortly…

Video + MP3s: Boonie Mayfield Black Koolaid Release Party at Connected w/DJ Low Key + Download Black Koolaid

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Great video of Boonie Mayfield rockin at Connected for his Black Koolaid Release Party that I found over at ProducersIKnow.comBlack Koolaid is available at BoonieMayfield.com for whatever you wanna pay (even free), so head over there right now and download Boonie’s debut album!!!

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Video + MP3s: Xperiment (Humble Beast Records/Portland) live beat showcase at Connected w/DJ Low Key – Part 1 + Download Precipitation…

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Back in July, we had the pleasure of having beat phenomenon Xperiment rock the first ever live beat showcase at Connected w/DJ Low Key and he tore it down.  X’s sound is a bit more electronic than most of what we rock at Connected, but you’d be hard pressed to hear someone make more soulful electronic music so I had to invite him to rock.  Check out the footage from his guest spot above and make sure you download his project, Precipitation, if you haven’t already.

Boonie Mayfield makes the intro track from his new album, Black Koolaid…

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You don’t wanna miss Boonie’s live beat showcase debut…’nuff said…

SXSW 2011 Recap…Shouts to Tanya Morgan, Che Grand, TiRon, Vibe, Billboard, DJ Trackstar & Lil’ Car, to name a few…

Pic by Lightworks, check out their full Rappers I Know SXSW photo booth at RappersIKnow.com

After a nonstop week of Colorado shows with Tanya Morgan, TiRon, Whygee & King F.O.E. on the Ahead of the Class Tour and throwing the Foreign Exchange’s Denver debut concert with RBMA midway through, it was off to Austin for my third SXSW trip.  As usual, things in Austin were RIDICULOUS; a ton of homies from all over the country scattered across the city that I wanted to link with, more shows you wanna see than you can physically attend and the craziness of Austin in general all fighting for your attention from the time you touch down.  With that said, me, Donwill, Von Pea & Dominic Del Bene were all so exhausted from the week before that we took our first night there easy, on some calm before the storm ish.

Rappers I Know showcase, check out more pics from the show courtesy of Mel D. Cole here.

Thursday, 3/17: After getting a good night’s sleep, we hopped in Lil’ Car (aka our undersized rental and parking blessing in disguise) and hit up the chaos that is 6th St/downtown Austin during SXSW.  I saw something on TV Wednesday night saying that the official attendance for the festival was up 30% and you could definitely tell by the parking mess and floods of people in downtown Austin.  We checked out the Fader Fort for a little bit and made our way to the Rappers I Know showcase for our show.  The crowd was mad cool at the showcase and thing were off to a good start until the entire sound board stopped working and the room went quiet during Donwill’s super long (48 bar?) verse on “Headphone Rock” .  When the music stopped, Don just kept rapping his entire verse without a pause and the crowd went fuckin’ nuts.  It was a great MC moment to witness and by the time he had ended the verse, the soundboard was back running again so we didn’t miss a beat.  We ducked out after we rocked to catch a quick and very fun Wallpaper show around the corner. After geeking out at the Wallpaper show, we came back to the Rappers I Know showcase and caught a surprise appearance from the Alchemist (for an Alchemist/Just Blaze soundclash at that), a Just Blaze/Saigon set and a very entertaining H.I.S.D. set to close out the night.

Friday, 3/18: Friday was probably my most hectic day of SXSW.  During the day I DJed for Tanya Morgan at the 2 Dope Boyz aka #Fuck2DopeBoyz showcase.  In one of the weirdest moments of my DJ career, the bouncer at the Dizzy Rooster initially wouldn’t let me into the venue with my DJ bag until after 10 or so tense minutes in which me, Meka from 2DopeBoyz.com and a variety of people tried to reason with the asshole bouncer.  Eventually the owner let me in and bought me a beer to apologize.  Our set was between Big K.R.I.T. and the Black Hippy Crew (Schoolboy, Kendrick Lamar, Jay Rock & Ab Soul) and we got mad love from the nearly packed house before wrapping up as a fight broke out between a west coast rapper who will remain nameless and the aforementioned asshole bouncer.

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Later that evening I linked up with the homie DJ Trackstar and we traded off as house DJs for the night at the RIDICULOUS Vibe.com/Cashmere Agency SXSW Showcase aka the Vibe House w/DJ Quik, EPMD, Slaughterhouse, Collie Buddz Blu, Shad, Dee-1 & more (shouts to DJ Hyphen & Jasmin).  We walked in the door and caught the end of Blu’s soundcheck before I was introduced to Dee-1, who I ended up DJing for later that evening.  I wasn’t familiar with Dee-1’s music before the show, but man, I was very impressed once I heard it.  He’s got that trademark New Orleans sounding flow a la Weezy mixed with a touch of incensey Common’s lyrical content but he rocks it in a style all his own.  Download his latest project, I Hope They Hear Me Vol. 2 to get more familiar with one of the better surprises of my SXSW trip.  I rocked a couple of intermissions between acts before handing the house DJ duties over the homie Trackstar the DJ so I could rush over to the Move Forward Music Showcase.  Check Trackstar’s recap over at djtrackstar.com for his take on the night, including when he played “What We Do” and Freeway tapped him on the shoulder to perform it live (I am a little jealous of that).

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I couldn’t be mad though, I got to the Move Forward Music Showcase and the spot was packed sardine thick.  Homeboy Sandman was putting on a rap clinic (if you’ve ever seen him live, you know what I’m talking about) while girls were practically headbanging to his set, it was quite a sight to behold.  Me, Tanya Morgan & Che Grand rocked a set to a dope response, punctuated by an extra intense Von Pea acapella to close out the set (I hope someone got video of that ish).

After the packed Move Forward Music showcase, I had to rush back to the Vibe House to DJ some more.  In maybe my biggest geek out moment of the trip, I got to meet Sway of Wake Up Show/MTV (but way more importantly, Wake Up Show) fame backstage before spinning a west coast set until DJ Quik took the stage.  After Quik’s set, EPMD hopped on stage for their SXSW debut and tore the house down to close out the night.

Pic by Jay Janner, imagine 6+ blocks this packed and dozens more nearly as packed, now times that by 4 days and that’s just the music portion of SXSW

Saturday, 3/19: The Saturday of SXSW is probably the craziest Saturday of the year for shows.  Everybody’s trying to go extra hard for the grand finale of the biggest music festival in the country and it’s overwhelming.  The main focus of the day was the DJing for Tanya Morgan at the Billboard Magazine showcase (check TM mentioned on the cover below and catch us rocking “And You Say” with Che Grand in the video below that) and for TiRon & Ayomari at the Vibe.com Respect The West Showcase.

During the day on Saturday, I got to meet Uzoy (check her mixtape and collabs with the guys from TM, Che Grand on our Fixtape Two and Denver Big Tune champ Boonie Mayfield), caught up with Skillz (it still bugs me out that he recognizes me and says what’s up, I grew up on dude’s music) and DJed for Tanya Morgan at the Rocksmith Showcase. After the show there, it was off to soundcheck (the only one I got in the 7 events I DJed at in Austin) for one of the biggest Tanya Morgan shows to date, the Billboard SXSW stage.

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More video from the Billboard Show: Alleye Need & Bang n’ Boogie /// The Yorker /// Laura’s Song /// We Be /// Love Junkie (Remix)

As you can probably tell from the video links above, the Billboard show was pretty damn good, definitely one of the best TM shows to do date.  From there, I rushed over to the Vibe.com/Cashmere Agency Respect The West Showcase to perform with TiRon and Ayomari.  That show was great as well.  It was the largest crowd I’ve ever rocked with them (a 2 level wall to wall packed Vibe House) and, in my humble opinion, the best show I’ve ever rocked with them energy-wise.  It was a great slot on a perfect bill and TiRon and Ayomari came out with their A-game.  The homie Brandon Cruz took some fancy looking, high quality video that I’m sure will pop up soon, stay tuned for it.

That wrapped up my work schedule for Austin and I spent the rest of the night running around a little too much.  Me, Von, Don & Che caught a brief Pac Div set and rushed off to catch part of the insanity that is Red Bull Thre3 Style Austin.  We caught the end of De La Soul’s set, most of Z-Trip’s set and then rushed back over to the Vibe House to try to catch Snoop, Warren G and DPG’s Nate Dogg tribute.  Snoop’s people must have shut shit down because we couldn’t get back in, even with my artist band from performing an hour earlier.  Devastated, we rushed back over to the Red Bull VIP area where I caught the homies D-JR, Mick Boogie & Kyle Berg spinning to close out the night.  I spent the rest of the night catching up with them, M-Squared, Marlon, DJ Scuba Gooding Jr and the only and only Keith Clingman before I grabbed some incredible tacos on 6th Street and it was time for me, Che and the guys from TM to call it a night.

Sunday, 3/20: The Park’s BBQ has become one of my favorite events of the year.  If you’re not up on them, the Park are an amazing band out of the Bay area who, along with the wonderful Ragen Fykes and producer Keelay (of ‘& Zaire’ fame) make up the group Grillade, who you definitely need to check out.  Anyways, the Park hosts and INCREDIBLE BBQ after SXSW wraps up featuring a bunch of their friends hanging out, eating, drinking and playing music on some too good to be true backyard jam session ish.  I was lucky enough to go last year and this year was even crazier.

Some of the highlights included the aforementioned Wallpaper rocking his “Love Junkie” remix with Donwill as well as covers of Montell Jordan “This Is How We Do It” and The Whispers “Rocksteady” like only Ricky Reed could that had the crowd cheesing, Von Pea, Donwill, Che Grand, Moe Green & STS (Sugar Tongue Slim) rocking the mic early, Ragen Fykes’ warm vocals, DJ Toure from Hieroglyphics hopping on the drums (I had no clue he even played) and The Park and A B and the Sea rocking music that had the whole party grinning ear to ear.  Wallpaper said it best on twitter “Havin the most musical BBQ throwdown today. SHAMING corporate shit.”

After that I spent a couple of extra days, post-SXSW madness in “regular” Austin too.  “Regular” Austin is a beautiful bubble of live music, quirky college town charm and all the possible good applications of the Texas state of mind (in a way that’s completely unique to all of Texas).  I was already feeling burned out from SXSW but it was well worth the extra days to catch up with my college friend Chisum, soak in the true Austin lifestyle & enjoy the magic of the County Line BBQ’s 5 meat BBQ combination, Taco Deli’s unbelievable variety, Mexican vanilla ice cream and the high fructose corn syrup free deliciousness of Mexican Coke and Dublin Dr. Pepper.

I also got a chance to check out Austin legend DJ Mel’s long running “hip hop night at Nasty’s” on Monday night (8+ years, clap for him!!!).  Pretty much everyone in Austin knows about Mel and his night, which had an awesome vibe (very similar to a great night at the Solution), featured a guest spot for my former RBMA Mr. X colleague Prince Klassen and was packed, despite being on a Monday, having a $4 cover and being at what might the roughest looking venue of the 30 or so plus that I’ve been to in my five Austin trips.  It’s always inspiring to see parties based around quality music and Mel’s is an institution, it had me excited to come home and work on four more unforgettable years of the Solution.  After one more day to wind down my Austin trip, it was back to Denver to play catch up from the busy weeks before Austin (which is part of why it’s taken me a month to knock out this post…LOL).

Shouts to the homies I rocked with, caught up with down there or met: Donwill, Von Pea, Che Grand, Dominic Del Bene, TiRon, Ayomari, Mario, Jasmin from Cashmere Agency, Trackstar the DJ, DJ Hyphen, Dee-1, Ragen Fykes, The Park/Grillade, Ricky Reed/Wallpaper, Chisum, Alex from Move Forward Music, Frank from Rappers I Know, Meka & Shake from 2Dopeboyz, JC & MZ from the Smoking Section, Billboard, Y-O, Jake One, Skillz, Brandon Cruz, Homeboy Sandman, Brandun Deshay, Add-2, YC, Nicknack, DJ Mel, Prince Klassen, Uzoy, The Are, Scuba Gooding Jr, Mick Boogie, D-Jr, Kyle Berg, M-Squared, Marlon, Truth Live, Moe Green, the Audible Treats crew, STS, DJ Toure from Hiero, DJ Flash Gordon Parks from H.I.S.D., Jarrell from Clear Soul Forces, the guy who owns the house for the Park’s annual BBQ, whoever it was who let us into the Fader Fort so we didn’t have to wait in that crazy line and anybody I forgot, sorry there’s way too many names to remember a month later.

P.S. It was definitely different this year at SXSW than the last two.  This post is already long enough with my recap, but I’m gonna post up an article that sums up the differences pretty well shortly.

SXSW Addendum: “On Lil B, Diddy, Odd Future And SXSW” from TSS…

SXSW was still incredible this year but it was blatantly different from years passed.  Below is a great read on how and why from David D at one of my favorite blogs/sites, The Smoking Section.

Pics via Houston Press

There was something different about SXSW this year that was hard to put a finger on at first. Parking was more difficult. Drinks were less potent and there were suddenly women showing up on 6th street at night wearing short skirts and stilettos. The indie event was starting to feel like a tourism spectacle, but the changes were mostly subtle.

That was until Diddy cooked.

Let’s rewind. Heading into SXSW, I knew I had to see Lil B and witness firsthand the madness he creates when he does a live show. As I’ve said before in no uncertain terms, B makes horrible music but I do respect his ability to navigate the attention given him and am fascinated by his following. So when I saw that B would be headlining the Fader Fort on Saturday, I was there.

When I walked into the Fort, the buzz was already permeating from the tent. Four white guys next to me had computer paper with “SWAG!” written in technicolor while about a dozen other fans were waving egg beaters and spatulas in the front row before the prolific rookie even hit the stage.

Before the crowd could cook with their anti-hero, Diddy shocked everybody by coming on stage doing B’s dances and introducing him as “the future of Hip-Hop.” When Lil B hit the stage, the crowd came unglued.

B defenders have argued that the rapper has two personae: the “deep” or “complex” lyricist and the Based God that has hoes on his d*ck because he looks like Jesus. It was clear which artist the fans came to see. When Lil B opened with “Age Of Information,” the crowd kind of just stood around perplexed. But as soon as the lights changed and B started cursing and swearing that he was the greatest rapper alive, the Fort exploded. Once “Wonton Soup” started up, it was a tremendous party, and, admittedly, I had a blast. For a few minutes, I was enjoying the most fun show at SXSW in 2011. Then, Lil B The Rapper reared his ugly head again. He spit over ambient noise and tried his hand at the pseudo-lyrical music, but you could tell the crowd was just waiting for songs like “Bieber” and “Like A Martian.” Lil B’s set was truly a tale of two shows with fans coming unhinged for the Based God then standing silently for everything else.

Then the show got weird. Lil B ended his set by talking about the environment and pitching his book – his first go as a “book author” – before quietly walking off stage to a slightly confused crowd. Enter Diddy, who came out to ostensibly hype Lil B’s performance, while promoting himself and rocking the stage for his “Oh Let’s Do It” verse, “Mo’ Money Mo’ Problems” and a few other tracks before bringing out Odd Future to perform “Sandwiches”. Tyler had a can thrown at him. He threatened to beat up fans. And then they plunged into the crowd, knocking people around.

I left the Fort feeling like I had witnessed something important. Diddy proclaimed the future of Hip-Hop to be two young entities that are as divisive as any artists we’ve ever seen. In the same way that Jazz and Funk had to deal with new artists, Hip-Hop seems to be undergoing a changing of the guard. The arrival of Lil B and Odd Future presents Hip-Hop’s first generational gap. As fans, we’ve always been able to adapt with the changing music and newcomers, but this is different. Lil B and Odd Future present a new, different Hip-Hop that the traditionalists – myself included – are struggling to understand. And, just like our parents told us about what we listened to growing up, this new music sounds like noise. Even Diddy had to stand at the back of the stage and try to understand what was going on when Odd Future took over. The lyrics are more profane and have somehow raised the bar on appalling – Odd Future raps about God being cancer while Lil B blasphemes about how him looking like Jesus garners him more sexual exploits. And for the life of me, I don’t see the reason for all of the fuss. But that’s part of their appeal. Odd Future and Lil B are rebelling against the music Hip-Hop grew up on, and their SXSW takeover means their emergence is undeniable.

A more immediate change that March 19th brought was the possible end of the Indie-era of SXSW. When the highlights of the final night are Diddy, Kanye and Snoop, the event stops being about independent artists. It was only a matter of time, but the mainstream has invaded SXSW, much to the chagrin of skinny jeans-donning anarchists across the country. SXSW is apparently no longer anti-establishment. The establishment has taken over and the worry is that new artists are going to get lost under the wave of mainstream acts trying to raise their street cred by mixing it up with the common folk. The day Diddy cooked and Yeezy made people wait until 2am for a show marks the end of the SXSW underground.

That doesn’t mean the event has lost its way. Since there are so many venues, the fan still dominates the news. Sure, you can wait in line for G.O.O.D. music, but you can also walk into a small bar and discover the next great music. The beauty of SXSW will still always be seeing artists like Yelawolf, Gibbs and Kendrick Lamar grow each year and watch Lil B and Odd Future cut their teeth in front of the bright lights. Let Diddy and Yeezy try to jump in on the spotlight, but the diehard fans will still know where the festival’s heart will permanently reside.